Three Qin earth flavor strong | hundred years of classical Qinqiang singing hot “tiger” years

2022-05-11 0 By

This article was transferred from;Epicenter wide net xi ‘an on February 14, the news (reporter jaew) “holidays, see drama” numerous “Lao shan people” has always been to meet the “heart” of the Spring Festival, four, six, two net, an ugly, 13 role on the stage door opened for the northwest region of traditional drama “qin, accompanied by sound pan-hu, gave birth to a net lines of sonorous agitation, stage of euphemism is exquisite,Sing together three Qin earth hot life and thick flavor of the New Year.During the Spring Festival this year, shaanxi Centennial Qinqiang Opera Troupe Sanyi Society will stage 18 qinqiang classic plays at xi ‘an Yichao Grand Theater, adding a new flavor to the Spring Festival of the Tiger and letting more audiences know about traditional Chinese opera.A qinqiang opera performer makes up during a performance on the 10th day of the first lunar month in Beijing, Feb. 10, 2018. More than 60 actors participated in the performance.At 5 o ‘clock that afternoon, the background of yi Vulgar Theater has begun to be noisy, walk the stage, make up, change clothes, actors shuttle between dressing room and stage, “ah” “yi” actors practice voice echo in the air.National first-class actress Yang Shengjuan, winner of the 30th Plum Blossom Award for Chinese Drama, plays the role of “Huang Boxian” in Life and Death cards, which is Yang’s “family play” and one of her favorite plays.”Going to the opera during the Spring Festival is a tradition for many Shaanxi people, so singing opera during the Spring Festival has also become a tradition for our Qinqiang actors. Over a dozen Spring Festivals, I would take out my own ‘family opera’ to bring wonderful performances to the audience.”In the dressing room, Yang shengjuan, wearing a gauze hat on her head, practiced her hat wing skills in front of the mirror. She told reporters that although she performed countless times on stage, she still practiced these basic skills before each stage to make sure every detail was perfect, so as to portray the role thoroughly.Makeup gap, from time to time there are fans to the backstage and Yang Shengjuan took a photo, including not only over 70 years old fans, but also “after 90” small fans, Yang Shengjuan told reporters that she began to learn Qin Opera performance at the age of 9, this year is the 30th year.Now, she has not only won the plum Blossom Performance Award, the highest award for The performing arts in China, but also won many fans, young and old.”After the stage, the most important thing for an actor is the audience.”In Yang’s opinion, the relationship between the audience and the actors is just like fish and water, and the inheritance of Qinqiang opera not only stays between practitioners, but also needs the “inheritance” between the audience.On the Internet, Yang shengjuan’s performance has been praised by many “post-90s” and “post-00s” generations. In the theater, Yang shengjuan saw an increasing number of young audiences, especially during the Spring Festival, when many audiences mobilized their families, young and old, giving her and her colleagues a full sense of accomplishment.”The more I learn the Qin Opera, the more I love it, the more I play it, especially now the Qin Opera is recognized by many peers around me, which also makes me more motivated.”Qi Jiale, 23 years old this year, is a young rookie actor of shaanxi Hundred Years Qinqiang Opera Society Sanyi Society.Spent every year Spring Festival she stood on the stage, she tells a reporter, the value of the actor is on stage, during the Chinese New Year, intensive performance arrangement to give her a chance to exercise more, let her feel very full, as “qin young actor, she hope to have more opportunities, a bigger stage to exercise myself, better live on the qin.Actors in the stage side of the waiting area (CCTV reporter Zhou Tong photo) a drama staged not only actors, but also behind-the-scenes performers pay.He Yaoxuan, national level 2 drum player, is a drum player of Sanyi Club.In the process of performance, drum makers should accurately deal with all kinds of rhythm types through the understanding of the story, and gradually expand and foil the play in the process of initiating, inheriting, transferring and combining.”The whole scene is fast, slow, slow, urgent, all the emotional matting lies in si Gu.We have to pay attention to every actor’s movements, eyes and dance steps. Although we sit on the stage, we are in charge of the stage.”He yaoxuan told reporters that the actors have the order of appearance, but as the drum needs 3 hours of concentration, grasp the whole performance, so that the performance of the repertoire more artistic appeal.As one of the earliest intangible cultural heritages in China, Qinqiang opera is also an ancient cultural art.In he Yaoxuan’s opinion, Qinqiang rooted deeply into the land, grew, sprouted, and gradually grew into a towering tree.In the tide of time, as shaanxi Qinqiang Opera Society, Sanyi Society has been established for a hundred years, which can not be separated from the artists quietly.”The performances during the Spring Festival are all the classic dramas inherited by Sanyi Society for hundreds of years. We use the strongest cast to present the most wonderful performances to the audience, so that the audience can have full fun.In this way, we inherit the spirit of our predecessors and continue to pass on the Qinqiang Opera.””He said.At 7:30 p.m., the playing sound sounded, the stage curtain opened, the actors came on stage one after another, “Life and Death cards” on time.Playing, singing, clapping…In a variety of “qin sound”, also let shaanxi people this “tiger” year more atmosphere.Disclaimer: This article is reproduced for the purpose of conveying more information.If the source is wrong or violated your legitimate rights and interests, please contact the author with proof of ownership, we will promptly correct, delete, thank you.Email address: